Works, techniques and collaboration

1985

Rich Like Us: Narration and the Emergency

Explore Rich Like Us through Rose and Sonali’s different positions, its Emergency setting and an original exercise linking narrative perspective with power.

Original explanatory diagram: Rich Like Us: Narration and the Emergency

The short answer

How does a novel distribute political experience among lives rather than supply one impersonal chronology?

Read the evidence

Sources, interpretation and production roles

The records answer different questions about this work. The final exercise is an original teaching model.

Original comparison based on the linked records; no source artwork, manuscript image or film frame is reproduced.
Record or questionSupported readingBoundary or contrast
Publisher accountEstablishes Rose and Sonali’s different positions.A shared political moment does not make experiences identical.
Scholarly passageDistinguishes Sonali’s narration and Rose-associated third person.Only the identified passage, not an unread complete chapter, is claimed.
2020 abstractProposes a limit to privileged solidarity.An abstract supports attributing that argument, not claiming its full proof.

Two women in a political setting

Rich Like Us was published in 1985 and received the Sahitya Akademi Award the following year. The publisher introduces Sonali, an Indian civil servant, and Rose, an English-born woman within an Indian business family. Their lives intersect during the Emergency. The pairing makes the novel’s public world visible through different kinds of access and vulnerability, rather than offering one all-purpose representative of the whole country.

Sources for this section: [3] · [5] · [7]

A difference in narrative position

The inspected scholarly account distinguishes Sonali’s narration from third-person passages associated with Rose and her household. That contrast creates two routes into the past and present. One character can report an institutional experience from within, while another life is presented through a different narrative arrangement. The reader’s work includes bringing those routes into relation without assuming that one voice automatically possesses every other person’s experience.

Sources for this section: [7]

Friendship does not cancel inequality

The 2020 research abstract reads the women’s relationship as cross-cultural solidarity but argues that its limits matter when other, less privileged voices remain outside it. This is an identified scholarly argument, not a universal verdict established by an abstract alone. It sharpens a specific question already raised by the publisher’s synopsis: the state, employment and household authority do not distribute power in the same way. Two women may share exclusion while differing in education, position and available choices. Friendship can consequently be read as a relation across different positions rather than a device that erases them. The proposed table keeps both connection and difference available for discussion within the same political setting.

Sources for this section: [3] · [6]

Original exercise: match power with a position

Make a two-row table for Sonali and Rose, using only the roles established by the records. Add columns headed institutional position, exposure to authority and narrative route. A reference answer places civil-service experience beside Sonali and household dependence beside Rose, then records the different narrative arrangements described by the scholarly passage. Do not invent dialogue, an unseen scene or a complete account of either ending. Add a third row labelled “who is outside this pair?” and formulate a reading question rather than supplying an unsupported character biography. A useful answer asks which people’s work or suffering enables the central characters’ lives and how the novel gives them a voice. This task connects formal perspective with the distribution of power. It also makes comparison possible without merging the two women into a single symbolic figure. Finally separate 1985 publication, the 1986 award and a publisher’s 2001 edition. The political time represented, the date of composition’s public result and the later life of the book are distinct histories that should not be confused.

Sources for this section: [3] · [5] · [6] · [7]

Continue the chronology

Biography context

Explore India through connected lives

Connected biographies

People and related creative practices

IndiaCulture

1927–present

Nayantara Sahgal

Indian novelist, memoirist and political journalistNayantara Sahgal developed an English-language career spanning memoir, political journalism and fiction, repeatedly examining how public power enters private life.Read biography
Mahasweta Devi at right receiving an item during a public presentation, with two other people and large portraits behind them. The complete source frame is retained.
IndiaCulture

1926–2016

Mahasweta Devi

Bengali writer, teacher, editor and social activistMahasweta Devi combined Bengali fiction and historical research with journalism, editing and sustained advocacy. Her work examined how land, labour, caste, gender and state power shaped the lives of people pushed outside comfortable national narratives.Read biography
IndiaCulture

1937–present

Anita Desai

Indian novelist, short-story writer and teacherAnita Desai developed a fiction career attentive to language, memory and family relationships before extending her professional life into teaching in the United States.Read biography

Quick answers

Common questions

Are 1985 and 1986 conflicting publication dates?
No. 1985 is the novel’s publication year; 1986 is the official Sahitya Akademi award year.

Primary and institutional sources

How this history was checked

Sources include production records, institutional collections and the specifically identified passages discussed here. Interpretations and teaching models are distinguished from credits and publication facts. This article was reviewed on 8 November 2026.

  1. Library of CongressNayantara Sahgal literary recordings biography
  2. International Literature Festival BerlinNayantara Sahgal
  3. New Directions PublishingRich Like Us
  4. Penguin Random House IndiaSahgal author profile
  5. Sahitya AkademiSahitya Akademi award list, English
  6. English/American Literature Feminism journal, KCIBuilding Global Sisterhood in Post-Colonial India
  7. Open University Ferguson Centre repositoryIndian English novel: Sahgal section
  8. Wellesley CollegeWellesley president’s 2019 address