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Culture · Biography

1960–present

Wendy Tilby

Wendy Tilby developed a paint-on-glass practice before a lasting collaboration with Amanda Forbis linked intimate stories to elaborate handcrafted animation.

Canada Edmonton,Alberta,Canada Updated 7 November 2026
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In this biography

Quick facts

Born
1960
Birthplace
Edmonton,Alberta,Canada
Country
Canada
Nationality
Not independently established
Known for
Strings and the co-directed films When the Day Breaks, Wild Life and The Flying Sailor

Why this life matters

Her films connect the details of everyday space with the production choices through which animation can make relationships visible.

Timeline

Key moments

  1. Graduation film

    Tables of Content opened a route to NFB production.

  2. Strings

    Directed the paint-on-glass short.

  3. Shared direction

    Co-directed When the Day Breaks with Amanda Forbis.

  4. The Flying Sailor

    Continued the partnership in anotherNFB short.

From literature and visual art to moving images

Wendy Tilby was born in Edmonton in 1960. She studied visual arts and literature at the University of Victoria before an animation course changed her direction. At the Emily Carr Institute of Art and Design she concentrated on film and animation, graduating in 1986. The success of Tables of Content led to work with the National Film Board. Her early interests help make sense of the result: the films attend to how a story is told and to the texture of an image, not just to what happens next. A domestic setting could become a way to explore a relationship through movement, space and sound.

Sources for this section: [1] · [5]

An individually directed film before the partnership

Strings (1991) was directed, written and animated by Tilby. Its wordless encounter between neighbours uses painted glass and stop-action filming. The NFB credits David Verrall as producer and Chris Crilly for music, placing its concentrated visual world within a collaborative production. That earlier film matters when considering her subsequent partnership with Amanda Forbis. The collaboration did not erase individually developed practices or make every earlier title a co-directed work. It brought filmmakers with their own experience into shared projects, and the credits remain the clearest guide to where individual and joint responsibility begins. The distinction preserves both the continuity of Tilby’s interests and the change in production relationships.

Sources for this section: [4] · [5]

A sustained collaboration across different formats

Tilby and Forbis met while studying at Emily Carr and later co-directed When the Day Breaks (1999), Wild Life (2011) and The Flying Sailor (2022). Their own account also describes commissioned illustrations, projections and television advertising. The different formats show a working partnership extending beyond a small list of festival shorts. Intimate observations and larger imaginative transformations could be developed within both personal and commissioned work. Her career offers a useful alternative to an opposition between craft and collaboration: an exacting handmade surface can depend on close cooperation. It also shows why an artist’s biography should distinguish the time at which a partnership formed from the separate education and experiments that made that partnership possible.

Sources for this section: [2] · [3] · [5]

Quick answers

Frequently asked questions about Wendy Tilby

Did Tilby make Strings with Amanda Forbis?
Strings credits Tilby for direction, script and animation; their later shorts are co-directed.
What technique does Strings use?
The NFB identifies painting on glass with stop-action filming.

Keep exploring

Lives connected to this story

  • Caroline Leaf

    Compare two artists’ different uses of paint-on-glass animation rather than assuming a single shared style.

  • Amanda Forbis

    Read the career of Tilby’s long-term co-director alongside her earlier individually directed work.

Sources and further reading

Explore the evidence

These references support the biography and offer further reading. Official records, first-person accounts and independent reporting provide different perspectives; image records document attribution and licensing.

  1. 1. Toronto International Film Festival,Canadian Film EncyclopediaWendy Tilby
  2. 2. Wendy Tilby and Amanda ForbisAbout us
  3. 3. Norwegian Short Film Festival2012Wendy Tilby and Amanda Forbis seminar
  4. 4. National Film Board of CanadaStrings
  5. 5. National Film Board of CanadaWendy Tilby:NFB director profile
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