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1894–1955

Evie Hone

Evie Hone brought experience of cubist painting into a major stained-glass career, working through Irish studio networks and international commissions.

Ireland Clonskeagh, County Dublin Updated 8 November 2026
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In this biography

Quick facts

Born
1894
Died
1955
Birthplace
Clonskeagh, County Dublin
Country
Ireland
Nationality
Not independently established
Known for
Modernist painting, My Four Green Fields and Eton College Chapel’s east window

Why this life matters

Her work connects modernist composition with the practical and architectural demands of stained glass, without making the two media interchangeable.

Timeline

Key moments

  1. Modernist exhibition

    Hone and Jellett presented new approaches in Dublin.

  2. An Túr Gloine

    Hone entered a professional stained-glass network.

  3. Independent studio

    She established her Rathfarnham studio.

  4. Eton east window

    A major installed commission followed chapel wartime damage.

Painting and a sustained friendship

Eva Sydney Hone, known as Evie, was born in County Dublin in 1894. Childhood polio affected her mobility, but art education and travel became continuing parts of her life. She studied in London before working in France alongside Mainie Jellett. Their encounters with cubist teaching, including Albert Gleizes, helped bring new ideas about shape and colour into Irish painting. The friendship was a working relationship as well as an important personal connection.

Sources for this section: [1]

Modernism in more than one medium

Hone and Jellett exhibited abstract and cubist work in Dublin in 1924, provoking sharply divided responses. Hone continued painting while moving towards stained-glass design. Her earlier engagement with composition remained relevant, but glass required another set of skills and conditions: an image had to exist through pieces, joins, a window opening and transmitted light. A painting background could offer resources without eliminating the need to learn the new medium.

Sources for this section: [1] · [2] · [5]

Working within and beyond a studio

In 1933 Hone joined An Túr Gloine, the cooperative associated with Sarah Purser. The studio network offered a professional setting for stained-glass commissions in Ireland and abroad. My Four Green Fields became one of her most widely recognised designs. In 1944 she established her own studio at Rathfarnham. Religious commissions and journeys to Italy accompanied this later phase, while the record of drawings and cartoons reveals the preparatory work behind finished windows. The National Gallery’s holdings include drawings, paintings and glass, making the transition visible through more than a single installed masterpiece. Preparatory material retains decisions that an account limited to famous windows would otherwise miss.

Sources for this section: [1] · [2] · [4]

The Eton commission and a later legacy

Eton College Chapel’s east window was installed in 1952, following the destruction of most chapel glazing by a 1940 bomb. Hone’s work placed the Crucifixion above the Last Supper within a strongly coloured composition. It was distinct from the chapel’s later side windows by John Piper and Patrick Reyntiens. Hone died in 1955. Her career now offers a particularly useful connection between modernist painting, a cooperative craft setting and an architectural public work. The surviving cartoon and the installed glass make different stages of that connection available to study, rather than allowing the final window to stand for the whole labour of making it.

Sources for this section: [1] · [3] · [4]

Quick answers

Frequently asked questions about Evie Hone

Was Evie Hone originally a painter?
Yes. Her modernist painting career preceded her major stained-glass work.
Did she design every modern window in Eton Chapel?
No. The east window is hers; Eton attributes the flanking designs to John Piper and their glass execution to Patrick Reyntiens.

Keep exploring

Lives connected to this story

Sources and further reading

Explore the evidence

These references support the biography and offer further reading. Official records, first-person accounts and independent reporting provide different perspectives; image records document attribution and licensing.

  1. 1. Dictionary of Irish BiographyHone, Eva Sydney
  2. 2. National Gallery of IrelandMainie Jellett and Evie Hone exhibition
  3. 3. Eton CollegeChapel windows
  4. 4. National Gallery of IrelandEvie Hone collection records

    The collection’s cartoon date is not used to redate the installed window. The list records a preparatory object; the guide does not claim examination of its original sheet.

  5. 5. The Stained Glass MuseumGlossary of stained-glass terms
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